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Unpublished or standalone design and illustration works that do not necessarily warrant a lengthy write-up, but are still worthy of mention and deserve a place to call their own. Presented in no particular order.
Phi Mã (Galloping Horses) — red envelope design for Tết (Vietnamese Lunar New Year) (2026)
Lettering refinement by Thái Phạm (Warehouse Type)
Illustration for HeleH — an architectural hardware brand specialising in modern mechanical and lock solutions, with the motto "From Italian design to Vietnamese hands" (2023)
Agency: Hands Collective
Vide Noir — Illustration series for Current Media, Issue 19 (2020)
Unused illustration for Bao Bar, an Asian fusion restaurant in Luxembourg (2025)
Risograph poster of Princess Display for Experimental Typography Workshop (2025)
As an experimental type revival, it references the lettering found on Princess Theatre's 1920s vintage hand-painted signage and the building's architectural ornaments. The text on the poster is a quote taken from Les Misérables, the first stage play performed at Princess Theatre's reopening in 1989, after the venue was repurchased and renovated by the Marriner Group, its current owner.
Test and download the font in Lab
Untitled artwork for Bông Hoa Nhỏ online exhibition (2023)
Vide Noir — Illustration series for Current Media, Issue 19 (2020)
HOLECODED — an audiovisual translation publication designed for d/Deaf and hard-of-hearing audiences (2025)
The work is informed by the multimedia installation of the same name by Joel Sherwood Spring, a Wiradjuri anti-disciplinary artist, exhibited as part of the Deep Time Real Time exhibition at RMIT Design Hub.
Using two paper stocks — tracing paper (50gsm) and art paper (Fabriano Accademia 120gsm) — the guidebook gives audiences a choice: overlay the pages to read the text together, or separate them to read the transcript and concrete poetry/captions independently.
Vide Noir — Illustration series for Current Media, Issue 19 (2020)
Lột Xác (Make Over) — Official film poster for CITIM's entry to the 48 Hour Film Project Vietnam (2019)
Vide Noir — Illustration series for Current Media, Issue 19 (2020)
Quang Nguyễn
Communication Designer
is a Vietnamese design practitioner/illustrator currently based in Naarm (Melbourne), and an ongoing Master’s student of Communication Design at RMIT University.
Previously held a Bachelor of Communication (Advertising) degree and throughout years of accumulated independent design learning and practice, Quang is currently focused on brand illustration, brand identity, and communication design, with some of past high-profile clients including Sovico Group, RMIT, and UNESCO. He also frequently collaborates with Hands Collective, an award-winning brand consultancy based in Hanoi, and produces works recognised and featured by Behance, Dieline, and Pentawards.
[GMT+7]
Hanoi, Vietnam
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Naarm, Australia
As a Vietnamese currently residing and working on the stolen lands in the Kulin Nation, I acknowledge the Wurundjeri Woi-wurrung and Bunurong peoples as the Traditional Owners, and recognise their deep and ongoing connection to these lands and waters. I pay my respects to their Elders past, present, and emerging. Sovereignty has never been ceded. It always was and always will be, Aboriginal land.